{"id":91,"date":"2014-08-27T23:16:35","date_gmt":"2014-08-27T23:16:35","guid":{"rendered":"https:\/\/www.2013.fif.art.br\/?p=91"},"modified":"2014-08-29T14:55:18","modified_gmt":"2014-08-29T14:55:18","slug":"mauricio-lissovsky","status":"publish","type":"post","link":"https:\/\/www.2013.fif.art.br\/?p=91","title":{"rendered":"Mauricio Lissovsky"},"content":{"rendered":"<p>Mauricio Lissovsky \u00e9 Historiador, doutor em Comunica\u00e7\u00e3o pela ECO\/UFRJ, pesquisador do N\u00facleo IDEA. Dedica-se particularmente \u00e0 fotografia (teoria, linguagem e hist\u00f3ria). Atualmente desenvolve,<!--more-->em coopera\u00e7\u00e3o com a professora Beatriz Jaguaribe, o projeto \u201cObra Getuliana: Fotografia p\u00fablica e moderniza\u00e7\u00e3o do olhar no Brasil\u201d. Tamb\u00e9m \u00e9 roteirista de Cinema e TV e entre seus trabalhos mais recentes est\u00e3o os longa-metragens \u201cSeja o que Deus quiser\u201d (Murilo Salles, fic\u00e7\u00e3o, 2003) e \u201cA Pessoa \u00e9 para o que nasce\u201d (Roberto Berliner, document\u00e1rio, 2004).<\/p>\n<p><span style=\"color: #993366;\">Mauricio Lissovsky is a historian, has a doctorate in Communication from the ECO\/UFRJ, and is a researcher at the N\u00facleo IDEA. He is particularly dedicated to photography (theory, language and history), and is currently developing<span id=\"more-4707\"><\/span>, in cooperation with professor Beatriz Jaguaribe, the project \u201cObra Getuliana: Fotografia p\u00fablica e moderniza\u00e7\u00e3o do olhar no Brasil\u201d (\u201cPublic Photography and the Modernization of Viewing in Brazil). He also writes screenplays for film and television, his most recent works including the full-length films \u201cSeja o que Deus quiser\u201d (Murilo Salles, fiction, 2003) and \u201cA Pessoa \u00e9 para o que nasce\u201d (Roberto Berliner, documentary, 2004).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mauricio Lissovsky \u00e9 Historiador, doutor em Comunica\u00e7\u00e3o pela ECO\/UFRJ, pesquisador do N\u00facleo IDEA. Dedica-se particularmente \u00e0 fotografia (teoria, linguagem e hist\u00f3ria). Atualmente desenvolve,<\/p>\n","protected":false},"author":1,"featured_media":92,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-91","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-convidados"],"_links":{"self":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91"}],"version-history":[{"count":1,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/91\/revisions"}],"predecessor-version":[{"id":93,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/91\/revisions\/93"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/media\/92"}],"wp:attachment":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=91"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}