{"id":429,"date":"2014-08-29T14:03:39","date_gmt":"2014-08-29T14:03:39","guid":{"rendered":"https:\/\/www.2013.fif.art.br\/?p=429"},"modified":"2014-08-29T14:48:38","modified_gmt":"2014-08-29T14:48:38","slug":"marleen-sleeuwits","status":"publish","type":"post","link":"https:\/\/www.2013.fif.art.br\/?p=429","title":{"rendered":"Marleen SLEEUWITS"},"content":{"rendered":"<p><strong>Interiores<\/strong><\/p>\n<p>Sleeuwits, em seu trabalho, sempre explorou espa\u00e7os interiores, particularmente aqueles que n\u00e3o guardam conex\u00e3o direta com o exterior ou com formas familiares, nos quais a fun\u00e7\u00e3o do espa\u00e7o n\u00e3o fica<!--more-->clara. Nesta s\u00e9rie a artista, depois de mudar-se para um novo est\u00fadio, tamb\u00e9m cria, usando diferentes materiais, seus pr\u00f3prios \u201cn\u00e3o-espa\u00e7os\u201d, onde o acentuado jogo crom\u00e1tico intensifica sua estranheza, nos desafiando a pensar as rela\u00e7\u00f5es de escala entre ilus\u00e3o e realidade.<\/p>\n<p>The Hague (Holanda)<\/p>\n<p><span style=\"color: #993366;\">With my photo-works I explore places with which it seems you are unable to make any connection. I construct and deform spaces in empty office buildings until an image comes into being that conveys\u00a0<span id=\"more-4826\"><\/span>this experience. My inspiration originates from specific in-between spaces such as the empty corners of office blocks, waiting areas at airports or the deserted corridors of hotels. Interiors where we often find ourselves but are shut off, as it were, from our consciousness. Previously I searched for and photographed a portrayal of such places; in recent years, in order to delve deeper into the experience of these locations, I have began to intervene with such like interiors. These transformations mostly resemble temporary installations or sculptures and make the experience of disconnection transmissible on a more psychological level.<\/span><br \/>\n<span style=\"color: #993366;\">The end result is a photographic interpretation of the space.<\/span><\/p>\n<p><span style=\"color: #993366;\">The feeling of enstrangement and disonnection is at the heart of my work. Here lies a paradox: the spaces that catch my attention are in some sense non-spaces. Lacking a clear function or any reference to the outside world, they are in the end nothing but spaces. The paradox is evident to anyone looking at the images; I try to capture the experience of being disconnected from a physical space by almost inviting the viewer to step inside the picture and relate physically to what is portrayed there. Print size and sharpness are therefore of essential importance. In Interiors I play an intricate and complex game with scale, perception, and the tension between reality and illusion.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interiores Sleeuwits, em seu trabalho, sempre explorou espa\u00e7os interiores, particularmente aqueles que n\u00e3o guardam conex\u00e3o direta com o exterior ou com formas familiares, nos quais a fun\u00e7\u00e3o do espa\u00e7o n\u00e3o fica<\/p>\n","protected":false},"author":1,"featured_media":433,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistas-2"],"_links":{"self":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=429"}],"version-history":[{"count":1,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/429\/revisions"}],"predecessor-version":[{"id":435,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/429\/revisions\/435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/media\/433"}],"wp:attachment":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}