{"id":409,"date":"2014-08-29T13:59:14","date_gmt":"2014-08-29T13:59:14","guid":{"rendered":"https:\/\/www.2013.fif.art.br\/?p=409"},"modified":"2014-08-29T14:48:58","modified_gmt":"2014-08-29T14:48:58","slug":"clare-strand-e-gordon-macdonald-macdonaldstrand","status":"publish","type":"post","link":"https:\/\/www.2013.fif.art.br\/?p=409","title":{"rendered":"Clare Strand e Gordon MacDonald (MacDonaldStrand)"},"content":{"rendered":"<p><strong>Mais popular de todos os tempos<\/strong><\/p>\n<p>A s\u00e9rie \u00e9 fruto de um levantamento, em diversas listas divulgadas na internet, das fotografias mais populares de todos os tempos. Visto que s\u00e3o t\u00e3o conhecidas, a dupla de artistas as reduziu a uma s\u00e9rie<!--more-->de linhas e pontos numerados, apontando nessa opera\u00e7\u00e3o para o modo como, nos dias de hoje, conhecemos e nos relacionamos com as imagens. Quase onipresentes em nosso imagin\u00e1rio visual coletivo j\u00e1 n\u00e3o vemos seu conte\u00fado, esvaziadas de seu contexto agora parecem pertencer ao conjunto de \u201cimagens do mundo\u201d.<\/p>\n<p>Brighton (Inglaterra)<\/p>\n<p><span style=\"color: #993366;\">Most Popular of All Time is the result of a survey of the many online lists of the most popular photographs of all time. These photographs have become so ubiquitous that it is hard to see their content\u00a0<span id=\"more-4843\"><\/span>and they have become detached from their context. Here MacDonaldStrand have reduced them to a series of lines and numbered dots and turned them into dot-to-dot drawings for the audience of the exhibition to fill in, colour and hang as part of the exhibition. They have also been produced as a dot-to-dot publication.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mais popular de todos os tempos A s\u00e9rie \u00e9 fruto de um levantamento, em diversas listas divulgadas na internet, das fotografias mais populares de todos os tempos. Visto que s\u00e3o t\u00e3o conhecidas, a dupla de artistas as reduziu a uma s\u00e9rie<\/p>\n","protected":false},"author":1,"featured_media":417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistas-2"],"_links":{"self":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=409"}],"version-history":[{"count":1,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/409\/revisions"}],"predecessor-version":[{"id":420,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/posts\/409\/revisions\/420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=\/wp\/v2\/media\/417"}],"wp:attachment":[{"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.2013.fif.art.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}